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Departures (Biggukomikkususupesharu) Akira looks Shogakukan 2008-08 Sales Rank: Hotel information at Amazon by G-Tools

◇ "composers and musicians which are alchemist, the world ground to help them when changing the resonance and echoes of that entity and the soul and the heavenly music. At that time, they also echoed on the ground hear in heaven and taken, the discrepancy between the two would almost all gone. This is similar to the original alchemy, the very presence and personal salvation and the nature of all human beings (Ovaserufu) and re-integration means that complete the great work of musical alchemy aims "(Jocelyn Godwin』 [alien music)

◇ "The dynamics are suitable for the containment objective in the work of Bach, only to realize the dynamics of play and listen. Because the truth is the X-ray performance of the work, the performance is have a duty to bureaucracy among phenomena sense the whole of any association with the characteristics of various gain from indulge ourselves freely to the music recognition. ... As long as you need to play general music, musical forms Law is among the sensory conflict between the nature of the music phenomenon "(Theodor W. Adorno Wiesengrund" that protect them from Bach lovers ")

Batteries 』◆ [Yojiro Takita's (Director) + Koyama Kaoru Hall (screenplay), Daigo Kobayashi Masahiro Motoki the role of hero + movie role Hirosue Ryoko Kobayashi Mika [Departures』 (Montreal World Film Festival Grand Prize), the coffin The beauty of the melody of the cello to complement that beauty and style of preparation 死出No旅 by the master, if it honorable inducing tears of gratitude and sympathy based on community experience of mourning, this work was planned as a tie, the New Akira so that the In its orientation to the stage with almost the same plot, while in the minor difference means that someone is not.

Cellist Daigo Kobayashi hero was forced to return to Yamagata Prefecture by the sudden dissolution of the term of the Tokyo Symphony Orchestra ◆ is playing the piano as a hobby, "Pianist" Sunday Kobayashi Mika and his wife, mother dead start a new life in the house was left by her father and flight. Daigo Kobayashi, the job invariably without any hope, which was adopted in a speedy job search the day after his first homecoming in NK agent in the hands of the president chose to kill themselves on man's coffin after the struggle with gender identity disorder be attracted to work. But it soon disappeared, decomposing corpse, death by hanging dead, decide to resign by the coffin to the impact of body experiences an accident, and again found value in their work among the events but will calm down when you shake the hearts of families start.

Despite the arrowhead ◆, separation from his wife after a visit to the job content was not exposed to reveal the wife poured out as an example of self-expiation to the author of her parents died in a car accident Rev. coffin-out work and detestable, got into a sitting president's autobiography as a pioneering figure coffin of his wife's coffin while her husband's cello generation Kanade, cello and reunion of childhood death of homeless anonymous desolation funeral to the public bath in the familiar "Tsuru no Yu" management and bereavement, reported 30 years ago broke his father's tributes. This work was composed while 織Rikomi the many episodes are neither to overdo also chasing after the film is original only, however, while in harmony with makeshift stage in episodes marginalized and the coffin, oriented to a single point be.

◆ "one point" is the sequel as if to remind that this work, previous work related to the continuity of their looks tired. [Prodigy 』(Futabasha / 3 volumes) and The Maestro, (Futabasha / 3 volumes), the glory and frustration while Representative genius violinist and pianist prodigy, respectively, is depicted in this film belong Symphony Orchestra Portrait of a mediocre cellist had to return home without being asked to join the others by the band disbanded. But is close to a return of his frustration with the progress of the story, the tension among the repulsion and attraction consisting of his wife and emotional sense, it strongly 残Shitakatsu an atmosphere of community land-based tradition growth of economic activity, among the natural sources are never transcribed the score and to win a personal harmony in the orchestra and its virtuoso he plays a different dimension in recovery, storage Apollo and the fusion point is 男神 Munemoshune Goddess of beauty, order, and "memory technology and talent of the two" (Jocelyn Godwin (Saitou Eiiti s) [alien music 』building tools) both point to bloom . Immediately after his wife away to dislike the work of master coffin, Daigo Kobayashi technical crisis-stricken can not be playing the cello, the owner after the death of Yu "crane" unnamed wife and came back with as an opportunity to revive the technical performance of the Violin Sonata, and that led to this, traces the memory of his father started (exchanged between father and former "sentence stone" between his wife and quiet episode to be retrospective.)

◆ The first sign is the arrival of the recovery, Daigo Kobayashi, played by wind and snow on the platform at the beginning of the work early downpour, as the name of the composer Bach is the only clear their names (probably) "unaccompanied Cello "We need to play. This album a mediocre cellist beasts (nature), Kenji Miyazawa describing the trajectory of recovery and mental and technical exchanges, "the play Ghosh Cerro" (A Night on the Galactic Railroad Shinpen 』Country Guide) and differences while sharing its basic structure, "Ghosh's Cerro play" to "Indian tiger hunt" (composed by Evans) for the encore as of demodulation led to resist the classical tradition that has made this venture Bach is a very traditional classic "Cello" because it is used as a sign of recovery. "The dynamics are suitable for the containment objective in the work of Bach, only to realize the dynamics of play and listen. Because the truth is the X-ray performance of the work, and play have a duty to the bureaucracy of the phenomenon in every sense of the whole association with various features to indulge ourselves freely to win recognition Score "(Theodor Adorno Wiesengrund (邦訳 Watanabe Yuu)" to Bach protect the lovers "[Chikuma Gakugei Bunko Purizumen』). " And in this way "as long as necessary to play general music law form of music that is in conflict between the phenomena and sensory nature of the composition" (as above) because, in the power of classical Bach Daigo Kobayashi Bach contrary, this rather "conflict" on someone who, by statute thane to skyrocket and the music is just beginning to feel autonomous mission not as a performer. The player denies common values within the tradition of music, "free spirit" is born "into a contemplation that comes from bringing an underlying material for their own art, action art itself," but Tosureba (G · W · F · Hegel (translated Hasegawa Hiroshi) 』作品社 [Lecture Aesthetics), the inherent power of Bach's music, the musicians are realizing this.

This connection to previous work of Akira looks ◆ "point" while oriented, this work is also face to face squarely the theme of death had the potential to work so far (the theme of death [Maestro, flutist in The bereavement of parents and emerged as the Great Hanshin Earthquake of imitating Tachibana Oh, well worthy of attention and continuity of this theme.) In this sense, the sense of Daigo Kobayashi musical memory "and" technology to the point of revival at the same time, the coffin of Labour (work) work through the mourning process 各様 individuals who meet by chance (mourning work) and the point of overlap again spun yarn will assume his memory among the no accident. While joy and grief, or folding the Soai and hatred, and the scene of the performance of the work of mourning his father face to face with the resurrected dead after visiting a musical, the top will melt consists of dialogue until then jokingly cut off the stoic elements of this story was to be deployed in silence not feel a sense of time. The final scenes are so beautiful too, and if you lose your sense of reality and not just fantasy, but it is not only probably equally happy death (including present-day problems of increasing suicide rate) sense of balance so that the author Akira forget to draw the unfortunate death irrefutable. Neither complement in secondary reading and read the original film, as he let give someone the willies floating blind spot film from its technical limitations, this work alone is conspicuous in its originality.

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